For the last 20 years, many non-Japanese manga artists have appeared in the manga market in Japan, which had been occupied primarily by Japanese artists for more than half a century. Mainly from a visual perspective, this study focuses on self-images and self-reflections of "foreign" manga artists on their works that have been published in Japan.

Ito Yu (*1974) is an assistant professor of Kyoto Seika University (KSU). Yoo Sookyung (*1986) is a lecturer of the same university. Their common research field is manga studies and they belong to KSU’s International Manga Research Center.

Authors websites:

https://portal.kyoto-seika.ac.jp/gyoseki/english/researchersHtml/KG00205/KG00205_Researcher.html

https://portal.kyoto-seika.ac.jp/gyoseki/english/researchersHtml/KG00206/KG00206_Researcher.html

Keywords:

#manga, #mangaka, #mangastyle, #essaymanga, #comic, #selfreflection

Self-reflection in manga by "foreign" artists | by Ito Yu and Yoo Sookyung

Hokuo joshi Åsa ga mitsuketa Nihon no fushigi (Mysteries of Japan that a Scandinavian girl Åsa has found) by Åsa Ekström
https://twitter.com/d_davinci/status/978982297591533568/photo/1

Hokuo joshi Åsa ga mitsuketa Nihon no fushigi (Mysteries of Japan that a Scandinavian girl Åsa has found) by Åsa Ekström
https://twitter.com/hokuoujoshi/status/976422525772087296?s=20

Hokuo joshi Åsa ga mitsuketa Nihon no fushigi (Mysteries of Japan that a Scandinavian girl Åsa has found) by Åsa Ekström
https://twitter.com/hokuoujoshi/status/959414097048518656/photo/2

Boku wa Tokyo de real (I am real in Tokyo) by Davi Nathanael
https://ameblo.jp/suzukakeshin/image-11294182819-12062159629.html

Africa shonen ga Nihon de sodatta kekka (The Results of an African Boy Growing Up in Japan) by Hosino Rene
https://twitter.com/RENEhosino/status/1022637868232015872?s=20